Portfolio
The work, and where it ends up
A wedding is not a gallery of good photographs — it is a story with an order to it. These are the frames the couples kept coming back to, and the albums we made from them.
Portfolio
Six shoots we
still think about
Weddings, receptions and the quieter pre-wedding days before them — all photographed the same way, quietly and from the inside. These are the frames the couples kept coming back to.
One Light, One Wall
Bridal portrait
A single spotlight, a beaded gown, and nothing else in the room.
Jigyasha & Utkarsh
Reception
Four frames from the hour before the doors opened.
“We are not there to make the day look like something else. We are there so you can remember exactly what it was.”
Abhishek, founder
Three Mornings
Pre-wedding · Beach, street and hills
The Morning Of
Wedding day
Red, gold, and the last quiet half hour she will get all day.
Under The Pines
Pre-wedding · Hills
Late sun through deodars, a blanket, and absolutely no hurry.
Two Cups Of Chai
Pre-wedding · Candid
The best frame of the morning happened while they were waiting.
Venues & Décor
The room, an hour
before anyone arrives
Somebody spent months on the flowers, the drapes and the lighting, and by midnight nobody can see any of it. So we photograph the whole set while it is still perfect — and it is the first thing every planner asks us for.
Set and décor coverage is part of every full wedding we photograph — the flowers, the drapes and the lighting, documented before the doors open and anybody has touched them.
The Album
Designed, printed
and bound by hand
Every wedding is laid out as a physical album — designed page by page in the studio, then printed on paper we have tested and bound to open flat.
Albums are quoted separately from coverage, in three sizes. Most couples take thirty to forty spreads, and every one is laid out for you rather than dropped into a template.