Portfolio

The work, and where it ends up

A wedding is not a gallery of good photographs — it is a story with an order to it. These are the frames the couples kept coming back to, and the albums we made from them.

Weddings · Receptions · Pre-wedding

The bride laughing under her veil, gold jewellery catching the light

Portfolio

The shoots we
still think about

Weddings, receptions and the quieter pre-wedding days before them — all photographed the same way, quietly and from the inside. These are the frames the couples kept coming back to.

A close frame of the bride's nath and necklace — The Nath
Wedding day
Gold on gold, and about four inches of working distance.

The bride fastening an earring, warm light behind her — The Last Earring
Getting ready
The room had emptied out. This is the frame she printed.

“We are not there to make the day look like something else. We are there so you can remember exactly what it was.”

Abhishek, founder

The couple close together on a quiet street — White Cotton
Pre-wedding · Street
An hour of walking, one shuttered shopfront, and the light doing the rest.

The bride in a mirror-work blouse, looking away from the camera — Mirror Work
Bridal portrait
She turned away from us, which is usually when it happens.

The couple lying close on a blanket in the pines — Among The Pines
Pre-wedding · Hills
Cold morning, warm blanket, nobody in a hurry to stand up.

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The Wall

Every kind of day
the house shoots

Bridal portraits, couples, maternity sittings and the studio's own light — hung together, and re-hung by chapter.

The whole wall, one chapter after another.

The bride in red looking down softly beside dark shutters, lit by a round wall lamp

The bride smiling beside a blue ceramic vase of gladioli in a warmly lit hall

The veiled bride smiling down at her kaleere against a white panelled wall

The bride in a mirror-work blouse gazing into the distance beside a tree

The groom watching from a stone cottage staircase as the bride walks the garden below

The couple in pink walking hand in hand down a sunlit tree-lined path

The couple sharing a quiet moment framed between tree trunks in a wooded grove

The couple walking away along a garden path, the pink dupatta trailing behind

The groom on a flower-draped balcony, the bride in the cottage garden beneath him

The couple dancing face to face on a crowded reception dance floor

The couple on a picnic blanket in the forest, her head resting on his shoulder

The couple on a picnic blanket beneath white drapes strung between tall pines

A black tuxedo and a peach silk saree, hand in hand on a fairy-lit garden path

The couple walking hand in hand before a floodlit mansion and palms at night

An expectant couple playing with pillow feathers on a rug outside a thatched hut

A smiling couple holding a 'Baby Coming Soon' prop newspaper in the studio

A mother-to-be in a flowing white gown, cradling her bump beside a cream arch

The couple standing together, hands cradling the bump, in the cream studio

A woman in a beaded champagne lehenga inside a circular spotlight, palm beside her

A portrait sitter leaning into a shaft of warm light against a textured wall

A close beauty portrait with copper eye make-up and face gems, over one shoulder

A seated back-view portrait, the tulle skirt fanned across the floor

A hazy warm-toned portrait, wrist draped near the chin, shadows playing on the wall

The Album

Designed, printed
and bound by hand

Every wedding is laid out as a physical album — designed page by page in the studio, then printed on paper we have tested and bound to open flat.

Four frames from a reception shoot, arranged as a grid

Six frames of a bride in red, arranged as a grid

Four frames of a bride in a sparkling champagne gown under a spotlight

Six frames of the couple dancing and twirling beside a chandelier

Three frames of a gold mirror-work lehenga in dramatic studio light

Album spread — the groom's portrait series — Spread 01

Album spread — the couple outside the venue — Spread 02

Album spread — the bride getting ready, kaleere and chooda details — Spread 09

Album spread — 'The Bride', colour beside black and white — Spread 10

Album spread — bride Anjali against red drapes — Spread 11

Album spread — the red lehenga session with quote panels — Spread 12

Album spread — 'Vadhu', the bride's eyes over her veil — Spread 13

Album spread — the haldi, marigold petals over the couple — Spread 14

Album spread — the haldi couple on the white bridge — Spread 15

Album spread — the varmala under fireworks — Spread 16

Album spread — the ring exchange at dusk — Spread 17

Album spread — the pre-wedding morning in the flower market — Spread 18

Album spread — 'love', the clothesline and the ring — Spread 19

Album spread — 'Welcome to our love story' — Spread 20

Album spread — Nishika & Shashank, 25 April 2026 — Spread 21

Albums are quoted separately from coverage, in three sizes. Most couples take thirty to forty spreads, and every one is laid out for you rather than dropped into a template.

Venues & Décor

The room, an hour
before anyone arrives

Somebody spent months on the flowers, the drapes and the lighting, and by midnight nobody can see any of it. So we photograph the whole set while it is still perfect — and it is the first thing every planner asks us for.

A floral entrance arch lit at night, leading into the venue

A monogrammed welcome board framed in flowers at the entrance

The building façade curtained in fairy lights at dusk

A lit glasshouse pavilion in the grounds after dark

The venue exterior reflected in a lit pool at night

A decorated corridor running the length of the venue

A draped stage under chandeliers and hanging greenery

A marigold and rose floral arch above the wedding sofa

A pastel floral reception stage waiting for the couple

A lit stage and empty dance floor before the guests arrive

A banquet hall laid for dinner, chairs dressed in gold and black

Draped fabric against a green foliage wall, hung with mirror balls

Lit installations along the garden path after dark

The monogrammed welcome board, close, surrounded by blooms

The printed invitation on a stand at the entrance

Set and décor coverage is part of every full wedding we photograph — the flowers, the drapes and the lighting, documented before the doors open and anybody has touched them.

The work, and where it ends up

The Nath

The Last Earring

White Cotton

Mirror Work

Among The Pines